• Master of Fine Art - National Art School 2024 - Present

    • Batchelor of Fine Arts at National Art School 2019 - 2021

    • Cato Gallery - Rooms We Carry - 2026

    • Clifford Chance Exhibition 2025

    • CBD Gallery - Horizions - 2025

    • National Art School - Chaosophy - Queer Contemporary - 2025

    • CBD Gallery - The Impossibility of the Real - 2024

    • The Stairwell Gallery National Art School - pain-ting - 2024

    • The Tiny Gallery - 2023

    • Stella Downer Fine Art Group Show 2023

    • Debut Solo Exhibition - Ditty Wheels Gallery - ‘Through These Rooms We Move’ - 2022

    • Group Show - Stella Downer Fine Art - ‘Ineffable’ - 2022

    • BFA Grad Show - 2022 - National Art School

    • Articulate Space Group Show - 2021

    • Group Show - 2021 - Goodspace - Treading Water

    • Group Show - 2021 - Five Point Gallery - Rift

    • Group Show - 2020 - 50/50 Space - Mardi Gras

    • Winner - Lift Off Award - National Art School 2026 ($20,000)

    • Finalist in the Lane Cove Lloyd Rees Emerging Artist Award 2026

    • Finalist in Mosman Art Prize 2022

    • Emergent Program - Stella Downer Fine Art 2022 - 2023

    • Residency Bamarang - SDFA Emergent Program - 2022

    • Assistant for Fintan Magee 2022

    • Gallery Manager Ditty Wheels Gallery 2022

    • Artwork and mural work for Stan Series ‘Year of’ 2022

    • Framer at Frame88 from 2015-2018

    • Gallery Manager at Frame88

    • Opened 50/50 Space Art Space in Kings Cross 2019

    • Drew to document the private viewing for the Duchamp Exhibition for the NSW Gallery

    • Mural work in Marrickville, Crows Nest, Willoughby, Newtown, North Sydney

 
 

Artist Statement

Figures and space are my primary concerns. Human bodies communicate so much and placed together in a picture have such a narrative power. I am highly inspired by artists such as Georgia Spain and Edward Hopper for their use of bodies and narrative quality, as well as Wayne Theibauds use of colour.

My figures often look stuck with thick oil stick gridding which is a response to personal feelings of being stuck in spaces that are meant to be safe. I render figures by mixing translucent and opaque paint as the figures move and dance in their imagined spaces.

I am torn between two painting concerns, the narrative and the formal application. Sometimes I create groupings to display people who are undergoing conflict or calm in spaces that feel like they are falling apart, and other times, I just need to see a the line of Ultramarine oil stick or a thick bit of brown oil paint right next to a light translucent. yellow

As said by Borremans, “I am not sure what it is, but I have something to say in these paintings, its been making its way all these years”